ACESFilm 2.2+ LUTs for Substance Painter

ACES LUTs to bring ACES science into Substance Painter. It will function the same as the ACES RRT so you get the characteristic ACES filmic look; filmic contrast, nice highlight rolloff, desaturated highlights, and ACES colorimetry. Additionally some popular non-ACES filmic LUTs matching other application tonemappers.

Instructions:

To use it copy the *.exr to Substance Painter's colorluts\Classic folder. In the Camera Settings panel check "Activate Color Profile" and load the LUT, finally enable Post Effects Tone Mapping and select the Log function transform.

Quick video demonstration: https://youtu.be/n133S4muW6o

Changelog:

v2.2+

-"ACESFilm - ACEScg (P3-DCI ODT)" LUT for an "Output - P3-DCI" view transform of an ACEScg render (feasible with my ACES_ACEScg filter for Substance Painter)

v2.1+

- "ACESFilm - ACEScg (Rec.709 ODT)" LUT for an "Output - Rec.709" view transform of an ACEScg render (to be used along the PBR+ACES filters). Useful for video monitors calibrated to Rec.1886 under a dim surround environment.

- Bonus non-ACES tonemapper LUT and frag file: Ilford FP4 Push @ ISO400 from Jim Hejl

v2.0+

- Four non-ACES tonemapper LUTs: Marmoset matching "Hejl", and three variants of "Uncharted 2" John Hable's filmic tonemapper shaped by MJP and Thomas Mansecal (two of them matching Blender's Filmic "MediumHigh" and "High")

- Ported the two Filmic tonemappers to Marmoset Toolbag 3 in .frag file format

-"ACESFilm - ACEScg (P3-D60 ODT)" LUT for an "Output - P3-D60" view transform of an ACEScg render (feasible with my ACES_ACEScg filter for Substance Painter)

v2.0

- More accurate primaries transforms

- "ACESFilm - ACEScg" LUT for an "Output - sRGB" view transform of an ACEScg render (feasible with my ACES_ACEScg filter for Substance Painter)

v1.0

- Initial release

>> Web: artstation.com/Dogway

>> Github: github.com/Dogway

Copyright (c) 2023 Jose Linares